![]() ![]() You don’t need to act as the tour guide anymore, because your client can react virtually with the environments that you create. Using your virtual reality design software, you can create environments that your clients actually get to explore. One of the best features of virtual reality is that it creates an immersive environment for the user to engage with. ![]() Little issues may escape their attention, plus, your client can’t add his or her own individual touches to your work.Īs a result, the experience isn’t individual to the client. Plus, your client isn’t examining the model at their own pace. ![]() It’s difficult to make suggestions in that environment. Your potential clients have to rely on you to show them what you’ve come up with. You conduct a walkthrough of the model using your digital design software, essentially acting as a guide. Usually, you’re going to have a bunch of people sat around a table, staring at a screen. As a Supervisor he is known for his technical expertise, fine sense of color and image composition and as well as his driving visual inspiration.Further feature film and TV series credits include Live by Night, Wolf Totem, Fast Five, Furious Seven, Ninja Assassin, Fear the Walking Dead, Steven Spielberg’s Bridge of Spies, Star Trek: Discovery, The Wandering Earth, Iron Sky 2: The Coming Race.Most recently, Adam acted as a division VFX Supervisor on the latest Roland Emmerich film, Midway and the Disney hit, Star Wars: The Mandalorian.Think about what happens when you present a new 3D model to a client. ![]() Since then, Adam has contributed to a variety of projects including Game of Thrones, 2012, Oblivion, Red Tails and the Academy Award-winning film Hugo.He was awarded with a Primetime Emmy Award for Outstanding Visual Effects and a VES Award for his work on the second season of HBO’s Game of Thrones.Adam's creative vision and technical skills ensured he quickly became part of the core team as an Environment Supervisor and subsequently as a Visual Effects Supervisor at the Stuttgart facility. Since 2018, Marc has acted as Head of FX department overseeing FX tasks for a multitude of projects and helping other artist grow to great potential.Īdam Figielski is a VFX Supervisor who has a passion for creating digital environments for film was awoken when he joined the Pixomondo team in 2008 to work as a Digital Matte Painter on Pixomondo's first feature film, The Red Baron. His first FX task was for the Oscar winning Hugo, which was the foundation for many other well-known projects such as Game of Thrones, Fast and Furious 7, The Walking Dead, Justice League and The Mandalorian. For all his time in the VFX industry he has been faithful to Pixomondo, starting as a CG generalist in Frankfurt, continuing with CG and animation in LA until his path lead him to Stuttgart for working on Red Tails. What started with drawing and painting evolved to putting his work in three-dimensional space during his studies. Marc Joos is Head of FXSince his early childhood Marc Joos had been drawn to art. Currently, David is working as Lead FX TD at Cinesite Montreal. More recently his passion for cinematography and VFX has led him to work initially as a Digital Compositor, and currently as an FX TD in films like the Turkish epic “Fetih 1453”, “Jumanji: Welcome to the Jungle”, “Asura”, and more recently “Godzilla: King of Monsters”, “Terminator: Dark Fate” and “Angel has Fallen”, among others. In the Architecture industry, he has provided photorealistic renderings and animations for high-end projects for the Royal Family of Qatar and the Qatar Armed forces. Early in his professional career, David produced several successful Television campaigns for major clients including TV Azteka, Unilever and La Salle University. David has a bachelor’s degree in Graphic Design and received the "Discreet Certified Instructor" title in 2004 to teach 3D Studio Max and Combustion software. David Adan is a Visual Effects Technical Director with more than 15 years of experience working in the Television, Games, Films, Architecture and Education industries. ![]()
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